The Bibliography

Entries marked with an asterisk (*) have been accessed by means of the Wayback Machine.

Agamben, Giorgio. A che punto siamo? L’epidemia come politica. Nuova edizione accresciuta. Macerata: Quodlibet, 2021.

Anders, Günther (Günther Stern). Die Antiquiertheit des Menschen. Munich: Verlag C. H. Beck, 1956.

Anonymous. “Library Honors Edgar Varese.” Village Voice, vol. iii, no. 6 (December 4, 1957), p. 3.

Anonymous. Street slogan, in a demonstration against the Pass sanitaire, Angers, August 14, 2021. Quoted in Margot Hairon, “Angers. ‹De la démocratie à la dictature il n’y a qu’un pass›.Courrier de l’Ouest (Internet edition): www.ouest-france.fr/pays-de-laloire/angers-49000/angers-de-la-democratie-a-la-dictature-il-n-y-a-qu-un-pass-f9ba87d8-fd1e-11eb-a7c7-18076227e413. (See also: www.lepetitjournal.net/47-lot-et-garonne/2021/10/17/de-la-democratie-a-la-dictature-il-ny-a-quun-pass.)

Anonymous. “Varese Envisions ‘Space’ Symphonies.” New York Times (December 6, 1936), p. N7.

Aragon, Louis. “Il n’y a pas d’amour heureux.” La Diane française, p. 35. Paris: Éditions Pierre Seghers, 1944.

Arendt, Hannah. The Human Condition. Chicago: The University of Chicago Press, 1958.

—. “Ideology and Terror: A Novel Form of Government.” The Review of Politics, vol. 15, no. 3 (July 1953), pp. 303-⁠27.

—. The Life of the Mind. Ed. Mary McCarthy. Two volumes. London and New York: Harcourt Brace Jovanovich, 1978.

—. The Origins of Totalitarianism. New edition with added prefaces. New York: Harcourt Brace Jovanovich, 1973.

—. On Revolution. New York: The Viking Press, 1963.

—. Über die Revolution. Munich: Piper Verlag, 1965.

—. “What Was Authority?” Delivered as a lecture in 1956. Nomos i: Authority, ed. Carl J. Friedrich, pp. 81-⁠112. Cambridge: Harvard University Press, 1958.

Aristotle. De anima. Loeb Classical Library, vol. 288, pp. 2-⁠203. Ed. W. S. Hett. London: William Heinemann, and Cambridge: Harvard University Press, 1935.

—. Eudemian Ethics. L.C.L., vol. 285, pp. 190-⁠481. Ed. H. Rackham. London: William Heinemann, and Cambridge: Harvard University Press, 1935.

—. Nicomachean Ethics. L.C.L., vol. 73. Ed. H. Rackham. London: William Heinemann, and New York: G. P. Putnam’s Sons, 1926.

—. Poetics. L.C.L., vol. 199, pp. 1-⁠118. Ed. W. Hamilton Fyfe. London: William Heinemann, and New York: G. P. Putnam’s Sons, 1927.

Arman (Armand Pierre Fernandez). “Nucléide” (1964). Stedelijk Museum, Amsterdam.

Auden, Wystan Hugh. “The More Loving One.” Landmarks and Voyages: Poetry Supplement. Ed. Vernon Watkins for the Poetry Book Society, n.p. London: Poetry Book Society, 1957.

Augustine. Confessionvm libri tredecim. In his Opera, Sectio i, Pars 1. Ed. Pius Knöll. Prague and Vienna: F. Tempsky, and Leipzig: G. Freytag, 1896. (Corpvs Scriptorvm Ecclesiasticorvm Latinorvm, vol. xxxiii.)

Austen, Jane. Pride and Prejudice: A Novel. Three volumes. London: T. Egerton, 1813.

Barbey d’Aurevilly, Jules-⁠Amédée. Du Dandysme et de G. Brummell. Caen: B. Mancel, 1845.

Barbeyrac, Jean (translator). Le Droit de la guerre, et de la paix. Par Hugues Grotius. Two volumes. Amsterdam: Chez Pierre de Coup, 1724. (See the entry for Grotius, infra.)

Baudelaire, Charles. Fusées. In his Journaux intimes. Texte réimprimé sur les manuscrits originaux. Ed. Adolphe van Bever, pp. 1-⁠42. Paris: Les Éditions Georges Crès et Cie, 1920.

Baum, Lyman Frank. The Wonderful Wizard of Oz. Chicago and New York: George M. Hill Company, 1900.

Beckett, Samuel. L’Innommable. Paris: Les Éditions de Minuit, 1953.

—. Letter to Axel Kaun, July 9, 1937. Disjecta: Miscellaneous Writings and a Dramatic Fragment. Ed. Ruby Cohn, pp. 51-⁠54, under the title “German Letter of 1937.” London: John Calder, 1983.

Beddies, Thomas. “,Du hast die Pflicht gesund zu sein.‘ Der Gesundheitsdienst der Hitler-⁠Jugend 1933-⁠1945.” Habilitationsschrift for the Institut für Geschichte der Medizin at the Charité; oral presentation April 22, 2009. Berlin, 2008.

Bekins, Peter. “The Study of Classical Hebrew Poetry: Meter.” Balshanut: Resources for the Study of the Bible and Linguistics (website), January 23, 2009: www.balshanut.wordpress.com/2009/01/23/the-study-of-classical-hebrew-poetry-meter/.

Benjamin, Walter. Einbahnstrasse. Berlin: Ernst Rowohlt Verlag, 1928.

—. “Der Erzähler: Betrachtungen zum Werk Nikolai Lesskows.” Orient und Occident: Staat, Gesellschaft, Kirche, Neue Folge, no. 3 (October 1936), pp. 16-⁠33.

—. “Glosse zum Sürrealismus.” (His own title was “Traumkitsch.”) Die neue Rundschau, vol. xxxviii, no. 1 (January 1927), pp. 110ff.

—. “Der Sürrealismus: Die letzte Momentaufnahme der europäischen Intelligenz.” Die literarische Welt, vol. 5, no. 5 (February 1, 1929), pp. 3-⁠4; no. 6 (February 8, 1929), p. 4; and no. 7 (February 15, 1929), pp. 7-⁠8.

—. “Die Wiederkehr des Flaneurs.” Die literarische Welt, vol. 5, no. 40 (April 10, 1929), pp. 5-⁠6.

—. Untitled text, late 1938 or 1939. Manuscript now in the Walter Benjamin Archiv, Akademie der Künste, Berlin (0268). As “Notiz über Brecht” in Gesammelte Schriften. Ed. Rolf Tiedemann and Hermann Schweppenhäuser, vol. vi, Autobiographische Schriften, Aufzeichnungen 1933-⁠1939, p. 540.

Бердяевъ, Николай Александровичъ. Новое средневѣковье: Размышленіе о судьбѣ Россіи и Европы. Berlin: Обелискъ, 1924. (Клепинина, no. 21.)

Bergson, Henri. Matière et mémoire: Essai sur la relation du corps à l’esprit. Paris: Félix Alcan, 1896.

—. Le Rire: Essai sur la signification du comique. Paris: Félix Alcan, 1900.

Blücher, Heinrich. “Fundamentals of a Philosophy of Art: On the Understanding of Artistic Experience.” Lecture at the New School for Social Research, New York, early 1951. Transcript at the Blücher Archive at Bard College, Annandale-⁠on-⁠Hudson: www.bard.edu/bluecher/lectures/phil_art/philart.php.
---. “Heraclitus and the Metaphysical Tradition.” Lecture at Bard College, May 10, 1967: www.bard.edu/bluecher/lectures/heraclitus/heraclitus.php.

Borges, Jorge Luis. “París, 1856.” Davar: Revista literaria, no. 105 (April-⁠May-⁠June 1965), p. 4.

—. “Las ruinas circulares.” Sur: Revista mensual, vol. 10, no. 75 (December 1940), pp. 100-⁠06.

—. “Tlön, Uqbar, Orbis Tertius.” Sur, vol. 10, no. 68 (May 1940), pp. 30-⁠46.

Bosetti, Sarah. Tweet, December 3, 2021. Available here: twitter.com/sarahbosetti/status/1466829037645582341.

Boulez, Pierre, and Jean-Pierre Changeux, with Philippe Manoury. Les Neurones enchantés: Le Cerveau et la musique. Paris: Éditions Odile Jacob, 2014.

Brakhage, Stan. Brakhage on Brakhage, 1. On the first volume of the CD compilation By Brakhage: An Anthology. New York: Criterion, 2003.

Brecht, Bertolt. Der aufhaltsame Aufstieg des Arturo Ui. Composed in 1941. In the second Brecht special issue of Sinn und Form, vol. ix, no. 1-⁠3 (1957), pp. 7-⁠102. And in Stücke, vol. ix: Stücke aus dem Exil, vol. iv, pp. 181-⁠373. Berlin: Suhrkamp Verlag, 1957.

—. “Aus dem Lesebuch für Städtebewohner.” Versuche, vol. 2, no. 6, pp. 116-⁠22. Berlin: Gustav Kiepenheuer Verlag, 1930.

—. “Deutschland.” In B. Brecht and Hans Eisler, Lieder Gedichte Chöre, pp. 114-⁠15. Paris: Éditions du Carrefour, 1934.

Breton, André. Manifeste du surréalisme: Poisson soluble. Paris: aux Éditions du Sagittaire, chez Simon Kra, 1924.

Broyles, Michael, and Denise von Glahn. Leo Ornstein: Modernist Dilemmas, Personal Choices. Bloomington and London: Indiana University Press, 2007.

Buchanan, Charles L. “Ornstein and Futurist Music: A Twenty-Year Old Exponent of the New Harmony.” Vanity Fair, vol. 5, no. 6 (February 1916), p. 48.

Budde, Karl. “Das hebräische Klagelied.” Zeitschrift für die alttestamentliche Wissenschaft, vol. ii (1882), pp. 1-⁠52.

Buddrus, Michael. Totale Erziehung für den totalen Krieg: Hitlerjugend und nationalsozialistische Jugendpolitik. Two volumes. Munich: K. G. Saur, 2003. (Texte und Materialien zur Zeitgeschichte, vol. 13.)

Burckhardt, Jacob. Griechische Kulturgeschichte. Fünfte Auflage. Ed. Jacob Oeri. Four volumes. Berlin and Stuttgart: Verlag von W. Spemann, 1898-⁠1902.

Burgercomité-⁠EU. Tweet, October 21, 2021. Available here: twitter.com/burgercomiteeu/status/1451140758514409474.
---. Tweet, October 23, 2021. Available here: twitter.com/burgercomiteeu/status/1451926402526220293.
---. Tweet, October 27, 2021. Available here: twitter.com/burgercomiteeu/status/1453145050146385922.

Bury, Pol. “Erection molle” (1961). Sammlung Lenz Schönberg, Söll.

Carroll, Lewis (Charles Lutwidge Dodgson). Through the Looking-Glass, and What Alice Found There. London: Macmillan and Co., 1872.

Conrad, Joseph. Nostromo: A Tale of the Seaboard, pt. ii, ch. xiii (continuation). T. P.’s Weekly, vol. iii, no. 84 (June 17, 1904), p. 785.

—. Nostromo: A Tale of the Seaboard. London and New York: Harper & Brothers, 1904.

Courtin, Antoine de (translator). Le Droit de la guerre et de la paix, Par M. Grotivs: divisé en trois livres, Où il explique le droit de Nature, le droit des Gens, & les principaux Points du Droit public, ou qui concerne le gouvernement public d’un État. Two volumes. Paris: Chez Arnould Seneuze, 1687. (See the entry for Grotius, infra.)

Couturat, Louis. De l’Infini mathématique. Paris: Félix Alcan, 1896.

Cowell, Henry. “The Music of Edgar Varèse.” Modern Music, vol. 7, no. 2 (January-⁠February 1928), pp. 9-⁠19.

Crane, Hart. “Chaplinesque.” Gargoyle, vol. i, no. 6 (December 1921), p. 24.

—. “A Name for All.” The Dial, vol. lxxxvi, no. 4 (April 1929), p. 297.

—. “Voyages.” The Little Review: Quarterly Journal of Art and Letters, vol. 12, no. 1 (Spring-⁠Summer 1926), pp. 13-⁠15.

Crane, Stephen. The Black Riders and Other Lines. Boston: Copeland and Day, 1895.

—. War Is Kind. New York: Frederick A. Stokes, 1899.

Cummings, Edward Estlin. “Anyone lived in a pretty how town.” (Published without title.) Poetry: A Magazine of Verse, vol. lvi, no. v (August 1940), pp. 233-⁠34.

Darwin, Charles. On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life. London: John Murray, 1859.

Deleuze, Gilles, and Félix Guattari. Qu’est-⁠ce que la philosophie? Paris: Les Éditions de Minuit, 1991.

Descartes, Réné. Meditationes: De Prima Philosophia, In quibus Dei existentia, & animæ humanæ à corpore distinctio, demonstrantur. His adjunctæ sunt variæ objectiones doctorum virorum in istas de Deo & anima demonstrationes; Cum Responsionibus Authoris. Secunda editio. Amsterdam: Lodewijk Elzevir, 1642.

—. Principia philosophiæ. Amsterdam: Lodewijk Elzevir, 1644.

Diels, Hermann (editor). Die Fragmente der Vorsokratiker. Dritte Auflage. Two volumes. Berlin: Weidmannsche Buchhandlung, 1912.

Dietrich, Marlene. Marlene singt Berlin, Berlin. London: Polydor Records, 1965. (See the entry for Kollo, infra.)

—. Radio interview with André Parinaud and Paul Giannoli. Paris: Radiodiffusion Télévision Française, 1963.

Diogenes Laërtius. Lives of Eminent Philosophers. Loeb Classical Library, vols. 184, 185. Ed. R. D. Hicks. Two volumes. London: William Heinemann, and New York: G. P. Putnam’s Sons, 1925.

Достоевскій, Ѳедоръ Михайловичъ. Бѣсы. Романъ. First published in the Русскій Вѣстникъ. Журналъ литературный и политическій, vol. xci, no. 1 (January 1871), pp. 5-⁠77; no. 2 (February), pp. 591-⁠666; vol. xcii, no. 4 (April), pp. 415-⁠63; vol. xciv, no. 7 (July), pp. 72-⁠143; vol. xcv, no. 9 (September), pp. 131-⁠91; no. 10 (October), pp. 550-⁠92; vol. xcvi, no. 11 (November), pp. 261-⁠94; vol. cii, no. 11 (November 1872), pp. 305-⁠92; and no. 12 (December), pp. 708-⁠856.

Duchamp, Marcel. Radio interview with George Heard Hamilton and Richard Hamilton, in the “Art, Anti-⁠Art” series, recorded January 19, 1959. Broadcast on the BBC Third Programme, November 13, 1959.

Eliot, George (Mary Ann Evans). Impressions of Theophrastus Such. Edinburgh and London: William Blackwood and Sons, 1879.

Eliot, Thomas Stearns. “The Love Song of J. Alfred Prufrock.” Poetry: A Magazine of Verse, vol. vi, no. iii (June 1915), pp. 130-⁠135.

Elliger, Karl, et al. (editors). Biblia Hebraica Stuttgartensia. Editio quinta emendata. Stuttgart: Deutsche Bibelgesellschaft, 1997.

Engelen, Ewald. Tweet, December 15, 2021. Available here: twitter.com/ewaldeng/status/1471200316704145414.

Estourmel, Joseph d’. Derniers souvenirs. Paris: Édouard Dentu, 1860.

Feldman, Morton. “Give My Regards to Eighth Street.” Art in America, vol. 59, no. 2 (March-⁠April 1971), pp. 96-⁠99.

—. Give My Regards to Eighth Street: Collected Writings. Ed. B. H. Friedman. Cambridge, Mass.: Exact Change, 2000.

Ficino, Marsilio. Letter to Giovanni Canacci, Bernardo Canigiani, and Amerigo Corsini, September 16, 1489. Published under the title “Quod necessaria sit ad uitam securitas & tranquillitas animi” as the last of the writings in the codex De triplici vita libri tres (1489), n.p. (Collezione Plutei, Biblioteca Medicea Laurenziana, Florence.)

Flaubert, Gustave. Letter to Ernest Feydeau, November 29, 1859. Correspondance, Troisième Série: 1854-⁠1869, pp. 167-⁠68. Paris: Bibliothèque-⁠Charpentier, 1891.

—. Salammbô. Paris: Michel Lévy frères, 1862.

*Giraud, Cécile. “La musique de l’image, le mouvement du son.” Objectif Cinéma (website), November 10, 2004: www.objectif-cinema.com/spip.php?article2478.

Goepfert, Hermann. “Optophonium (Licht-⁠Ton-⁠Maschine)” (1960-⁠61). Kaiser Wilhelm Museum, Krefeld.

Goethe, Johann Wolfgang. Faust. Eine Tragödie. Tübingen: in der J. G. Cotta’schen Buchhandlung, 1808.

—. Faust. Der Tragödie zweyter Theil in fünf Acten. First published in Werke. Vollständige Ausgabe letzter Hand, vol. xli: Nachgelassene Werke, vol. i. Stuttgart and Tübingen: in der J. G. Cotta’schen Buchhandlung, 1832.

—. Die Wahlverwandtschaften. Two volumes. Tübingen: in der J. G. Cotta’schen Buchhandlung, 1809.

Gogh, Vincent van. “La Nuit étoilée” (1889). Museum of Modern Art, New York.

Gregory of Nazianzen. Oration xxix (the third theological oration). The Five Theological Orations. Ed. Arthur James Mason, pp. 73-⁠107. Cambridge: at the University Press, 1899. (Cambridge Patristic Texts.)

Grotius, Hugo. De ivre belli ac pacis libri tres. In quibus jus Naturæ, Gentium, item juris publici præcipue explicantur. Editio nova. Amsterdam: Willem Blaeu, 1632.

Habermas, Jürgen. “Corona und der Schutz des Lebens: Zur Grundrechtsdebatte in der pandemischen Ausnahmesituation.” Blätter (Internet edition), September 2021: www.blaetter.de/ausgabe/2021/september/corona-und-der-schutz-des-lebens.

Harel, François Antoine (anon.). “Bouche de fer.” Le Nain jaune réfugié, vol. iii, vol. ii (February (?) 1816), pp. 44-⁠48.

Hazlitt, William. “On Londoners and Country People.” (“Table Talk,” no. vii.) The New Monthly Magazine and Literary Journal, vol. viii, no. xxxii (August 1823), pp. 171-⁠79.

Heidegger, Martin. “Nietzsches Wort ›Gott ist tot‹.” Holzwege, pp. 195-⁠247. Frankfurt am Main: Vittorio Klostermann, 1950.

—. Sein und Zeit. First published in the Jahrbuch für Philosophie und phänomenologische Forschung. Ed. Edmund Husserl (Halle an der Saale: Max Niemeyer Verlag), vol. viii (1927), pp. 1-⁠438.

—. Überlegungen iivi (Schwarze Hefte 1931-⁠1938). Ed. Peter Trawny. Frankfurt am Main: Vittorio Klostermann, 2014. (Gesamtausgabe, iv. Abteilung, vol. 94.)

—. “Die Zeit des Weltbildes.” Holzwege, pp. 69-⁠104.

Heine, Heinrich (“…e”). “Briefe aus Berlin,” ii (March 16, 1822). Rheinisch-⁠Westfälischer Anzeiger, supplement: Kunst- und Wissenschaftsblatt; der Wissenschaft, der Kunst und der Erheiterung des Lebens geweiht, nos. 16-⁠19 (April 12-⁠May 3, 1822).

—. “Lyrisches Intermezzo,” no. lvi: “Ich hab’ im Traum’ geweinet.” Tragödien, Nebst einem lyrischen Intermezzo, p. 116. Berlin: bei Ferdinand Dümmler, 1823.

Hérault de Séchelles, Marie-Jean. “Art déclamatoire. Réflexions sur la Déclamation.” Written in 1788, published posthumously. Magazin encyclopédique, ou Journal des sciences, des lettres et des arts, vol. i, no. iii (1795), pp. 396-⁠416.

Hesiod. Works and Days. Loeb Classical Library, vol. 57, pp. 86-⁠153. Ed. Glenn W. Most. Cambridge, Mass., and London: Harvard University Press, 2006.

Hessel, Franz. Nachfeier. Berlin: Ernst Rowohlt Verlag, 1929.

—. Pariser Romanze: Papiere eines Verschollenen. Berlin: Ernst Rowohlt Verlag, 1920.

—. Spazieren in Berlin. Leipzig and Vienna: Verlag Dr. Hans Epstein, 1929.

Herbert, George. Ovtlandish Proverbs, Selected by Mr. G. H. London: Humphrey Blunden, 1640.
Hiller, Kurt. Die Weisheit der Langenweile: Eine Zeit- und Streitschrift. Two volumes. Leipzig: Kurt Wolff Verlag, 1913.
Hilton, Robin. “Inspiration or Perspiration? Son Lux on Making an Album in One Month.” NPR (website), April 11, 2011: www.npr.org/sections/allsongs/2011/04/11/135206808/son-lux-chats-about-album-he-wrote-and-recorded-in-one-month/.

Hitchcock, Alfred (director). Psycho. Los Angeles: Paramount Pictures, 1960.

—. Vertigo. Los Angeles: Paramount Pictures, 1958.

Hobbes, Thomas. Elementa philosophica de cive. Amsterdam: Lodewijk Elzevir, 1647.

—. Humane Nature: or The Fundamental Elements of Policy. Being a Discovery of the Faculties Acts and Passions of the Soul of Man, From their Original causes; According to such Philosophical Principles As are not commonly known or asserted. The Third Edition, Augmented and much corrected by the Authors own hand. (Bound with two other works in a Tripos, pp. 1-⁠90.) London: Matthew Gilliflower, 1684.

—. Leviathan, or, The Matter, Forme, & Power of a Common-⁠Wealth Ecclesiasticall and Civill. London: Andrew Crooke, 1651.

Hölderlin, Friedrich. “An die Parzen.” In C. L. Neuffer (ed.), Taschenbuch für Frauenzimmer von Bildung, auf das Jahr 1799, p. 166. Stuttgart: bei Johann Friedrich Steinkopf, 1798.

—. “Pathmos.” In Leo von Seckendorf (ed.), Musenalmanach für das Jahr 1808, pp. 79-⁠87. Regensburg: in der Montag- und Weissischen Buchhandlung, 1807.

Hoëné Wronski, Josef. “Philosophie absolue de la musique.” An extract in Camille Durutte, Esthétique musicale: Technie, ou Lois générales du système harmonique, pp. v-⁠xvii. Paris: Mallet-⁠Bachelier and E. Girod; and Metz: Typographie de Rousseau-⁠Pallez, 1855.

Holweck, Oskar. “9.VIII.58” (1958). ZERO Foundation, Düsseldorf.

Holzer, Steve (director). Machine Deva. Marfa: self-⁠produced, 2012.

Homer. Iliad. In his Opera, vols. i and ii. Editio tertia. Ed. David B. Monro and Thomas W. Allen. Oxford: at the Clarendon Press, 1920. (Scriptorum Classicorum Bibliotheca Oxoniensis.)

Huizinga, Johan. Homo ludens: Proeve eener bepaling van het spel-⁠element der cultuur. Tweede, herziene druk. Harlem: H. D. Tjeenk Willink & Zoon, 1940.

Hume, David (anon.). A Treatise of Human Nature: being An Attempt to introduce the experimental Method of Reasoning into Moral Subjects. Three volumes. London: John Noon (the first two volumes), and Thomas Longman (the third), 1739-⁠40.

Hunt, Patrick. “Henry Purcell’s Dido and Aeneas in Text and Music.” Electrum Magazine (website), October 14, 2011: www.electrummagazine.com/2011/10/henry-purcells-dido-and-aeneas-in-text-and-music/.

Huxley, Aldous. Brave New World. London: Chatto & Windus, 1932.

James, David E. “Light Shows/Multimedia Shows.” See This Sound (website), n.d.: www.see-this-sound.at/compendium/abstract/79.html.

James, Henry. The Ambassadors. London: Methuen & Co., 1903.

—. Letter to Howard Sturgis, August 4-⁠5, 1914. The Letters of Henry James. Ed. Percy Lubbock, vol. ii, pp. 396-⁠99. London: Macmillan and Co., 1920.

Johns, Jasper. “Gray Alphabet” (1956). Private collection, New York.

—. “Land’s End” (1963). Museum of Modern Art, San Francisco.

—. “Periscope (Hart Crane)” (1963). Collection of the artist.

—. “White Numbers” (July 29, 1957). Museum of Modern Art, New York.

Johnson, Daniel Stephen. “Angélica Negrón: Infusing Magic into the Delicate and Remote.” WQXR (website), February 9, 2012: www.wqxr.org/story/185702-angelica-negron-infusing-magic-delicate-and-remote/.

Jouvenel, Bertrand de. Du Pouvoir: Histoire naturelle de sa croissance. Édition revue et augmentée. Geneva: Les Éditions du Cheval ailé, 1947.

Jünger, Ernst. Der Kampf als inneres Erlebnis. Berlin: E. S. Mittler & Sohn, 1922.

Kandinsky, Vassily. Punkt und Linie zu Fläche: Beitrag zur Analyse der malerischen Elemente. Munich: Verlag Albert Langen, 1923. (Bauhausbücher, no. 9.)

Kant, Immanuel. Critik der reinen Vernunft. Riga: verlegts Johann Friedrich Hartknoch, 1781.

—. Critik der reinen Vernunft. Zweyte hin und wieder verbesserte Auflage. Riga: bey Johann Friedrich Hartknoch, 1787.

Kellerer, Sidonie. “Heideggers Maske: ‹Die Zeit des Weltbildes› – Metamorphose eines Textes.” Zeitschrift für Ideengeschichte, vol. v, no. 2 (Summer 2011), pp. 109-⁠20.

*Kelly, Chris. “Meet Ethiopian Electronic Artist Mikael Seifu.” Wiyiyit (website), June 28, 2014: www.wiyiyit.com/meet-ethiopian-electronic-artist-mikael-seifu/.
---. “‘The more you understand me, the more you understand my music.’ Meet Ethiopian electronic artist Mikael Seifu.” Fact (website), June 28, 2014: www.factmag.com/2014/06/28/the-more-you-understand-me-the-more-you-understand-my-music-meet-ethiopian-electronic-artist-mikael-seifu/.

King James (patron). The Holy Bible, Conteyning the Old Testament, and the New. Newly Translated out of the Originall tongues: & with the former Translations diligently compared and reuised by His Maiesties speciall Comandement. London: Robert Barker, 1611.

Klein, Yves. “L’Accord bleu (RE 10)” (1960). Stedelijk Museum, Amsterdam.

—. Letter to Willem Sandberg, January 29, 1962. Archive of the Stedelijk Museum, Amsterdam.

—. “Symphonie monoton-⁠silence.” Score in the Archives Yves Klein, Paris.

—. “Le Vrai devient réalité.” Zero, vol. 3 (July 1961), n.p.

Kollo, Willi (Willi Kollodzieyski). “Berlin – Berlin.” The fifteenth song on Marlene Dietrich’s album Marlene singt Berlin, Berlin. (See the entry for Dietrich, supra.)

Kraus, Karl. “Antwort an Rosa Luxemburg von einer Unsentimentalen.” Die Fackel, vol. xxii, no. 554-⁠56 (November 1920), pp. 6-⁠12.

—. “Mißvergnügte der Republik.” Die Fackel, vol. xxiii, no. 588-⁠94 (March 1922), p. 25.

—. “Nachts.” Die Fackel, vol. xvii, no. 406-⁠12 (October 1915), pp. 94-⁠168.

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—. Untitled entry. Die Fackel, vol. ix, no. 232-⁠33 (October 16, 1907), pp. 16-⁠17.

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Lang, Fritz (director). Das Testament des Doktor Mabuse. Berlin: Nero-⁠Film, 1933. (Screenplay by Thea von Harbou.)

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*Levin, Golan. “An Informal Catalogue of New-⁠Media Performances Using Overhead Projectors.” Flong (website), May 2005: www.flong.com/texts/lists/ohp/.

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Matsumura, Takeshi. “Andrieux, Talleyrand, Napoléon : notes d’un ignorant sur Le Rouge et le Noir.” Glaliceur, Groupe de recherche sur la langue et la littérature françaises du centre et d’ailleurs, no. 29 (August 3, 2021).

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McCullough, Peter. “Winning the War Against Therapeutic Nihilism and the Rush to Replace Trusted Treatments with Untested Novel Therapies.” A lecture delivered at the 78th annual meeting of the Association of American Physicians and Surgeons, Pittsburgh, October 2, 2021. Video recording available here: rumble.com/vnbv86-winning-the-war-against-therapeutic-nihilism-and-trusted-treatments-vsunte.html.

Meijeren, Gideon van. Speech in the Tweede Kamer, September 9, 2021. Recorded with the interjections in the “Plenair verslag” for the chamber’s 104th session: http://www.tweedekamer.nl/kamerstukken/plenaire_verslagen/detail/2020-2021/104#idd8bd1288, and: /104#id6dfd512a. Video recording: youtu.be/00jOWKDMRqw.

Mencken, Henry Louis. “The Mailed Fist and Its Prophet.” The Atlantic Monthly: A Magazine of Literature, Science, Art, and Politics, vol. cxiv, no. 5 (November 1914), pp. 598-⁠607.

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Mohn, Bent. “Talk with Isak Dinesen.” New York Times Book Review (November 3, 1957), p. 49.

Moreau, Thierry. Conversation with Estelle Denis. Broadcast in the program “Estelle midi” on the RMC station, August 26, 2021. Recording here: www.dailymotion.com/video/x83ru91.

Morellet, François. “Sphère-⁠trames” (1962). Museum Morsbroich, Leverkusen.

Murnau, Friedrich Wilhelm (Friedrich Wilhelm Plumpe) (director). Nosferatu. Eine Symphonie des Grauens. Berlin: Prana-⁠Film, 1922.

Nanz, Dieter A. Edgard Varèse: Die Orchesterwerke. Berlin: Lukas Verlag, 2003.

Nerval, Gérard de (translator). Faust, Tragédie de Goëthe: Nouvelle Traduction complète, en prose et en vers, Par Gérard. Paris: Dondey-⁠Dupré père et fils, 1828.

Nietzsche, Friedrich. Also sprach Zarathustra. Ein Buch für Alle und Keinen. Four volumes. Chemnitz: Verlag von Ernst Schmeitzner, 1883-⁠84 (vols. i-⁠iii); and Leipzig: Verlag von C. G. Naumann, 1891 (vol. iv).

—. Dionysos-⁠Dithyramben. First published together as an appendix in Also sprach Zarathustra, vol. iv.

—. Die fröhliche Wissenschaft. („la gaya scienza“). Neue Ausgabe mit einem Anhange: Lieder des Prinzen Vogelfrei. Leipzig: Verlag von C. G. Naumann, 1887.

—. Zur Genealogie der Moral. Eine Streitschrift. Leipzig: Verlag von C. G. Naumann, 1887.

—. Götzen-⁠Dämmerung oder Wie man mit dem Hammer philosophirt. Leipzig: Verlag von C. G. Naumann, 1889.

—. Jenseits von Gut und Böse. Vorspiel einer Philosophie der Zukunft. Leipzig: Verlag von C. G. Naumann, 1886.

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Oppenheimer, Robin. “Maximal Art: The Origins and Aesthetics of West Coast Light Shows.” Rhizome (website), April 15, 2009: www.rhizome.org/editorial/2009/apr/15/maximal-art-the-origins-and-aesthetics-of-west-coa/.
*Ornstein, Severo. “Leo Ornstein and publishing agreements.” International Music Score Library Project Journal (website), June 8, 2011: www.imslpjournal.org/leo-ornstein-and-publishing-agreements/.

Orwell, George (Eric Arthur Blair). Nineteen Eighty-⁠Four: A Novel. London: Secker & Warburg, 1949.

Ovid. Epistulae ex Ponto. Loeb Classical Library, vol. 151. Ed. Arthur Leslie Wheeler, pp. 263-⁠489. London: William Heinemann, and New York: G. P. Putnam’s Sons, 1924.

Owen, Wilfred. “Dulce et decorum est.” Poems. Ed. Siegfried Sassoon, p. 15. London: Chatto & Windus, 1920.

Ozon, François (director). 8 Femmes. Paris: Fidélité Productions, France 2 Cinéma, and Mars Films, 2002.

Pascal, Blaise. Œuvres de Blaise Pascal publiées suivant l’ordre chronologique, avec documents complémentaires, introductions et notes. Ed. Léon Brunschvicg. Vol. xii: Pensées (i), and vol. xiii: Pensées (ii). Paris: Librairie Hachette, 1921.

Perlis, Vivian. “Leo Ornstein: The Last of the Original 20th Century Mavericks.” New Music USA (website), April 1, 2002: www.newmusicusa.org/nmbx/leo-ornstein-the-last-of-the-original-20th-century-mavericks/.

Piene, Otto. “Gelbgelbweißheißschnell (Stencil Painting)” (1958). Sammlung Lenz Schönberg, Söll.

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Pliny the Elder (Gaius Plinius Secundus). Naturalis historia. Loeb Classical Library, vols. 330, 352, 353, 370, 371, 392, 393, 418, 394, 419. Ed. H. Rackham, W. H. S. Jones, and D. E. Eichholz. London: William Heinemann, and Cambridge: Harvard University Press, 1938-⁠63.

Plotinus. Enneads. Loeb Classical Library, vols. 440-⁠445, 468. Ed. A. H. Armstrong. London: William Heinemann, and Cambridge: Harvard University Press, 1966-⁠88.

Poe, Edgar Allan. “The City in the Sea. A Prophecy.” The American Review: A Whig Journal of Politics, Literature, Art, and Science, vol. i, no. iv (April 1845), p. 393.

Polanski, Roman (director). Chinatown. Los Angeles: Paramount Pictures, 1974.

Ponting, Herbert (director). The Great White Silence. London: New Era Films, 1924.

Pope, Arthur Upham. “Memorandum on Ernst Jünger.” Report, December 6, 1943. Declassified May 1, 1972. Conserved at The Franklin D. Roosevelt Presidential Library and Museum, Hyde Park. Available online, here: www.fdrlibrary.marist.edu/_resources/images/psf/psfc0228.pdf.

Preuß, Konrad Theodor. “Der Ursprung der Religion und Kunst.” Globus. Illustrierte Zeitschrift für Länder- und Völkerkunde, vol. lxxxvi, no. 20 (November 24, 1904), pp. 321-⁠27; no. 22 (December 8), pp. 355-⁠63; no. 23 (December 15), pp. 375-⁠79; no. 24 (December 22), pp. 388-⁠92; vol. lxxxvii, no. 19 (May 25, 1905), pp. 333-⁠37; no. 20 (June 1), pp. 347-⁠50; no. 22 (June 15), pp. 380-⁠84; no. 23 (June 22), pp. 394-⁠400; and no. 24 (June 29), pp. 413-⁠19.

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Rexroth, Kenneth (translator). Li Ch’ing-⁠chao: Complete Poems. New York: New Directions, 1979.

Riley, Robert R. “Liquid to Light: The Evolution of the Projected Image Light Show in San Francisco.” In David W. Bernstein (ed.), The San Francisco Tape Music Center: 1960s Counterculture and the Avant-⁠Garde, pp. 21-⁠23. Berkeley, Los Angeles, and London: University of California Press, 2008.

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Riva, Maria. Marlene Dietrich by Her Daughter Maria Riva. New York: Alfred A. Knopf, 1993.

Robinson, Edward Kay. “The Man of the Future.” The Nineteenth Century: A Monthly Review, vol. xiii, no. lxxv (May 1883), pp. 759-⁠64.

Robinson, Marco. Tweet, December 13, 2021. Available here: twitter.com/marcorobinson7/status/1470185558748143626.
Ruben, Eric. Remarks during the Food and Drug Administration Advisory Committee hearing, October 26, 2021. A video recording is available here, from 5:41:35 to 5:43:30: www.c-span.org/video/?515531-1/fda-advisorycommittee- recommends-pfizer-vaccine-children-ages-5-11.
Rumson, Gordon. “Leo Ornstein.” Wisconsin Alliance for Composers Newsletter (website), June 8, 1998: www.wiscomposers.org/news/1998_06/feature.html.

Ruttmann, Walter (director). Berlin. Die Sinfonie der Großstadt. Berlin: Deutsche Vereins-⁠Film, 1927.

—. Lichtspiel. Four films. Munich: Ruttmann-⁠Film, 1921-⁠22 (the first two); and Berlin: Kunstmaler W. Ruttmann, 1923-⁠25.

Sade, Donatien Alphonse François de (anon.). La Philosophie dans le boudoir, Ouvrage posthume de l’Auteur de Justine. Two volumes. London (Paris?): Aux dépens de la compagnie, 1795.

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Sartre, Jean-⁠Paul. Critique de la raison dialectique (précédé de Questions de méthode), vol. i: Théorie des ensembles pratiques. Paris: Éditions Gallimard, 1960. (Bibliothèque des Idées.)

—. L’être et le néant: Essai d’ontologie phénoménologique. Paris: Éditions Gallimard, 1943. (Bibliothèque des Idées.)

Schama, Simon. The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age. New York: Alfred A. Knopf, 1987.

Schelling, Friedrich Wilhelm Joseph. Philosophie der Kunst. Text in his Sämmtliche Werke. Ed. K. F. A. Schelling. Erste Abtheilung. Vol. v: 1802. 1803, pp. 353-⁠736. Stuttgart and Augsburg: J. G. Cotta’scher Verlag, 1859.

Scholem, Gershom. Walter Benjamin – Die Geschichte einer Freundschaft. Frankfurt am Main: Suhrkamp Verlag, 1975.

*Schuman, Scott. “On the Street.....The Fortezza, Florence.” The Sartorialist (website), January 10, 2013: www.thesartorialist.com/photos/on-the-street-the-fortezza-florence-6/.

Seume, Johann Gottfried. “Apokryphen.” Publication only in part and expurgated, posthumously, in Spaziergang nach Syrakus im Jahre 1802, vol. iii, pp. 37-⁠171. Dritte sehr vermehrte Auflage. Leipzig: bey Johann Friedrich Hartknoch, 1811. The full work was published in his Prosaische und poetische Werke, vol. vii, pp. 123-⁠246. Berlin: Gustav Hempel, 1869. A recent edition: Apokryphen: Textkritische Ausgabe der Manuskripte im Museum im Schloß Lützen und im Goethe-⁠Museum, Düsseldorf. Ed. Dirk Sangmeister. Eutin: Lumpeter & Lasel, 2013.

Shakespeare, William. The life and death of King Iohn. In Comedies, Histories, & Tragedies. Published according to the True Originall Copies, pp. 1-⁠22 (the volume’s pagination begins again with this play). (First Folio. Ed. Iohn Heminges and Henry Condell.) London: Isaac Iaggard and Edward Blount, 1623.

Shelley, Mary. Frankenstein; or, The Modern Prometheus. Three volumes. London: Lackington, Hughes, Harding, Mavor, & Jones, 1818.

—. The Last Man. Three volumes. London: Henry Colburn, 1826.

Шкловский, Виктор Борисович. “Искусство какъ пріемъ.” Сборники по теоріи поэтическаго языка, vol. ii (1917), pp. 3‑⁠14.

Shreffler, Anne C. “Varèse and the Technological Sublime; or, How Ionisation Went Nuclear.” Edgard Varèse: Composer, Sound Sculptor, Visionary, ed. Felix Meyer and Heidy Zimmermann (for the Paul Sacher Stiftung, Basel), pp. 290-⁠97. Woodbridge: Boydell Press, 2006.

Simmel, Georg. “Die Großstädte und das Geistesleben.” In Theodor Petermann (ed.), Die Großstadt. Vorträge und Aufsätze zur Städteausstellung, pp. 185-⁠206. Dresden: von Zahn & Jaensch, 1903. (Jahrbuch der Gehe-⁠Stiftung zu Dresden, vol. ix (Winter 1902).)

—. Soziologie. Untersuchungen über die Formen der Vergesellschaftung. Leipzig: Verlag von Duncker & Humblot, 1908.

Siodmak, Robert, and Edgar Georg Ulmer (directors). Menschen am Sonntag. Berlin: Filmstudio 1929, 1930.

Sloterdijk, Peter. Kritik der zynischen Vernunft. Two volumes. Frankfurt am Main: Suhrkamp Verlag, 1983.

Smith, Adam. The Theory of Moral Sentiments. London: A. Millar, and Edinburgh: A. Kincaid and J. Bell, 1759.

Snapes, Laura. Review of Buke and Gase, General Dome. On Pitchfork (website), November 21, 2012: www.pitchfork.com/reviews/tracks/14593-buke-and-gase-general-dome/.
Soboczynski, Adam. “Was heißt ‘N.soz’?Die Zeit (website), March 26, 2015: www.zeit.de/2015/13/antisemitismus-martin-heidegger-philosoph-schwarze-hefte.

Sorel, Georges. Réflexions sur la violence. Paris: Librairie de “Pages libres”, 1908.

Spinoza, Baruch. Ethica Ordine Geometrica demonstrata. In his Opera posthuma, Quorum series post Præfationem exhibetur. Ed. Jarig Jelles, pp. 1-⁠264. Amsterdam: Jan Rieuwertsz, 1677.

—. Tractatus theologico-⁠politicus: Continens Dissertationes aliquot, Quibus ostenditur Libertatem Philosophandi non tantum salva Pietate, & Reipublicæ Pace posse concedi: sed eandem nisi cum Pace Reipublicæ, ipsaque Pietate tolli non posse. Hamburg: Henricus Künraht (i.e., Amsterdam: Jan Rieuwertsz), 1670.

Старевич, Владислав Александрович (director). Месть кинематографи́ческого опера́тора. Moscow: Торговый дом Ханжонкова, 1912.

Steen, Jan. “A Village Wedding” (undated). Whereabouts unknown, auctioned by Christie’s, January 27, 2010. Webpage here: http://www.christies.com/en/lot/lot-5287514.

Stein, Gertrude. Radio interview with William Lundell. Broadcast November 12, 1934 on the WJZ station, New York.

Steiner, Ralph (director). Mechanical Principles. New York: self-⁠produced, 1930.

Stendhal (Marie-⁠Henri Beyle). De l’Amour. Two volumes. Paris and Lyon: à la Librairie universelle ancienne et moderne de Bohaire, 1833.

—. Letter to Pauline Beyle, 2 Fructidor An xiii (August 20, 1805). Correspondance. Ed. Ad. Paupe and P.-⁠A. Cheramy. Vol. i, pp. 178-⁠81. Paris: Charles Bosse, 1908.

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Sternberg, Joseph von (director). Der blaue Engel. Berlin: Universum Film, 1930.

—. Blonde Venus. Los Angeles: Paramount Pictures, 1932.

Stirner, Max (Johann Kaspar Schmidt). Der Einzige und sein Eigenthum. Leipzig: Verlag von Otto Wigand, 1845.

Stockhausen, Karlheinz. “Momentform. Neue Zusammenhänge zwischen Aufführungsdauer, Werkdauer und Moment.” Texte zur elektronischen und instrumentalen Musik, vol. 1: Aufsätze 1952-⁠1962 zur Theorie des Komponierens, pp. 189-⁠210. Cologne: Verlag M. DuMont Schauberg, 1963. (Originally a radio broadcast by Stockhausen for Westdeutscher Rundfunk in 1960.)

Strindberg, August. Letter to Friedrich Nietzsche, December 31, 1888. Brev. Vol. 7: Februari 1888-⁠december 1889, p. 216. Ed. Torsten Eklund. Stockholm: Albert Bonniers Förlag, 1961.

Stuurman, Pieter. “De dictatuur is uitgeroepen.” (A conversation with Erik van der Horst under the aegis of Café Weltschmerz, July 2021.) Recording available here: odysee.com/@CafeWeltschmerz:f/de-dictatuur-is-uitgeroepen---erik-van-der-horst-met-pieter-stuurman:7.

Swinburne, Algernon Charles. “To Walt Whitman in America.” Songs Before Sunrise, pp. 143-49. London: F. S. Ellis, 1871.

Tinguely, Jean. “Mes Étoiles – Concert pour sept peintures” (1958). Museum Tinguely, Basel.

Tocqueville, Alexis de. L’Ancien régime et la Révolution. In his Œuvres complètes. Ed. Madame de Tocqueville. Vol. iv. Paris: Michel Lévy frères, 1860.

—. De la Démocratie en Amérique. Four volumes. Paris: Charles Gosselin, 1835-⁠40.

—. “État social et politique de la France, avant et depuis 1789.” Original text in the Œuvres complètes. Vol. viii: Mélanges, Fragments historiques et Notes sur l’Ancien Régime, la Révolution et l’Empire; Voyages — Pensées, entièrement inédites, pp. 1-⁠54. Paris: Michel Lévy frères, 1865.

Truffaut, François (director). Jules et Jim. Paris: Les Films du Carrosse, and Societé d’Exploitation et de Distribution de Films, 1962.

Tudor, William (anon.). Review of Louis Simond, Journal of a Tour and Residence in Great Britain, During the Years 1810 and 1811. In the North-⁠American Review, vol. ii, no. v (January 1816), pp. 242-⁠76, and no. vi (March 1816), pp. 346-⁠62.

Тургеневъ, Иван Сергеевичъ. Дымъ, ch. xxvi. Русскій Вѣстникъ. Журналъ литературный и политическій, vol. lxviii, no. 3 (March 1868), pp. 149-⁠52.

Valéry, Paul. “La Conquête allemande.” The New Review, vol. xvi, no. 92 (January 1897), pp. 99-⁠112.

Varèse, Edgard. “The Liberation of Sound.” Ed. Chou Wen-⁠chung. In Elliott Schwartz, Barney Childs, and Jim Fox (eds.), Contemporary Composers on Contemporary Music, pp. 195-⁠208. Expanded edition. New York: Da Capo Press, 1998.

—. “Que la musique sonne.” 391, no. 5 (June 1917), n.p.

— and L. Alcopley (Alfred L. Copley). “Edgard Varèse on Music and Art: A Conversation Between Varèse and Alcopley.” Leonardo, vol. 1, no. 2 (April 1968), pp. 187-⁠95.

— and Gunther Schuller. “Conversation with Varèse.” Perspectives of New Music, vol. 3, no. 2 (Spring-⁠Summer 1965), pp. 32-⁠37.

Vico, Giambattista. Principj di scienza nuova, d’intorno alla comune natura delle nazioni. In questa terza impressione. Dal medisimo Autore in un gran numero di luoghi Corretta, Schiarita, e notabilment Accresciuta. Two volumes. Naples: nella Stamperia Muziana, 1744.

Vidor, King (director). The Crowd. Los Angeles: Metro-⁠Goldwyn-⁠Mayer, 1928.

Virgil. Aeneid. Loeb Classical Library, vols. 63, 64. Ed. H. Rushton Fairclough. London: William Heinemann, and New York: G. P. Putnam’s Sons, 1916-⁠18.

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